The Slow Rise of Foreign Bodies
A year after the explosion, the shell fragments pushing through Hobson’s skin are slow torture.
A year after the explosion, the shell fragments pushing through Hobson’s skin are slow torture.
We were pressed against the back wall behind a tangle of dresses and hangers, the Boone’s Farm in our stomachs rising against the reek of moth balls.
“I’m going to be an entomologist,” Isabelle says. Her dress doesn’t have a pocket, or she’d have brought one of her pets. Her hands feel empty.
Trees creak in the steady wind rushing off the foothills.
Trustafarians dash from coffee shop couches into the streets to spin like bearded dust devils, worshipping the wind. They call the winds chinooks, just like the locals, not that they’ve met many of those. Rare birds, those locals.
As the clock struck midnight, ushering in my fiftieth birthday, . . .
In a collapsed hall, an echoing crunch truncates panicked screaming. Later, a wrinkled sheet of parchment skips corner over corner across the heaving stones of an empty plaza, catching on a clattering stand of dry stalks rising from a russet mound that was once a fighting machine. The bones of its soldiers were scavenged long […]
A teenager’s in line for coffee ahead of a pushy man in a suit, but what’s served up is more than the cappuccino he ordered. Published in Bourbon Penn #23, March 2021.
Collection includes: Beetle in her Pocket, Flip Side, Waiting for the Trustafarian Migration, Baksheesh, Alpaca Lips, Sparkly Thing, The Slow Rise of Foreign Bodies, Meat for Skritches, Dwindling Topographies, Milk and Cookies, and Last Dance.
Tyler was watching a sitcom in the trailer’s breakfast nook, petting the purring furnace that was Skritches in his lap, when the power went out for good . . .